tag:blogger.com,1999:blog-64033961639650263162024-03-28T20:28:42.632-07:00THE DISINHIBITORThe Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.comBlogger739125tag:blogger.com,1999:blog-6403396163965026316.post-29792778214010290902016-09-11T19:38:00.003-07:002016-09-11T19:38:38.769-07:00<div class="separator" style="clear: both; text-align: center;">
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<b><b style="font-family: Calibri, Arial, Helvetica, sans-serif; font-size: 12pt;"><span style="font-family: "Adobe Caslon Pro", serif; font-size: 24pt; line-height: 34.24px;">LEGACY: NORMA COLE</span></b></b></div>
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<span style="font-family: "Minion Pro", serif;">What does it mean to live fidelity to a particular body of work? How do we <i>respond</i> to an artist who has crucially left their mark on our own critical/creative practice(s)? How do we stake out and <i>live</i> this commitment—show this fidelity <i>in situ</i>, rather than awaiting a posthumous perspective to settle its significance for us, so that, finally, we can come to understand <i>what it will have meant</i>?<br /><br />A number of poets are attempting to think through fidelity in a meaningful way, <u>and we invite you to join us, in person or from afar</u>. Here’s our proposal:<br /><br />A collective of artists and intellectuals will commit the 2016-2017 academic year to study and respond to the corpus of a single poet. This poet will have committed themselves to the poetry community in the San Francisco Bay Area, specifically—a poet who, we believe, deserves a deeper, more scrupulous reading. <br /><br />This year we have chosen to engage with the work of visual artist, translator, and poet Norma Cole. You can learn all about Norma’s extensive art practice at the website, where you’ll find links to out-of-print documents, visual art, and writing about Norma’s translation practice.<span class="x_x_apple-converted-space"> </span><br /><br />We will study this body of work sometimes together, sometimes apart, sometimes in parallel. Some will simply read the work more deeply than usual; others might contribute to scholarship by interviewing the artist or making archival interventions; some might resurrect out-of-print material or attempt to make crucial material available to a larger reading public; others might organize smaller reading groups or public events. In short, the nature of our work will sometimes be intimate, sometimes public, and sometimes collaborative, depending on the contours of our lives (and the constellation of participants involved).<br /><br />In order to thread our reading and writing together, we’ll use a single online interface to which all participants will have access: <a href="http://legacybayarea.com/" target="_blank">legacybayarea.com</a>. Here, we’ll post stray thoughts, discoveries from readings, out-of-print material, archival material provided by the author, and we’ll discuss ways to deepen our collective engagement and to plan a celebration at the end of our run in August 2017. This online presence will enable all who wish to participate to do so, no matter where they are physically based.<br /><br />If you’re interested in joining us, even if you simply want to read in tandem, on your own, please contact us. And feel free to spread the word about this project to all interested parties. </span></div>
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The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com3tag:blogger.com,1999:blog-6403396163965026316.post-64505638434199154252016-03-10T00:09:00.001-08:002016-03-10T00:17:23.706-08:00Eleni Stecopoulos's Visceral Poetics<div>
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<strong><span style="font-family: "georgia" , serif; font-size: 14pt; line-height: 107%;"><br /><br />VISCERAL POETICS<br /> </span></strong><o:p></o:p></div>
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<strong><span style="font-family: "georgia" , serif; font-size: 14pt; line-height: 107%;">Eleni Stecopoulos </span></strong><o:p></o:p></div>
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with a foreword by Alphonso Lingis<o:p></o:p></div>
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VISCERAL POETICS tracks “the chronic syndrome of the
West” and the cruel treatments<br />
of poetry’s resistance. At once a call for an embodied scholarship, a poetic
work of criticism,<br />
and a fragmentary autoethnography of the author’s health crisis at the
millennium, Eleni<br />
Stecopoulos’ book moves in a complex field of languages and bodies, between
symptom and<br />
art, diagnosis and composition, fascia and form. Stecopoulos aligns her method with
diviners<br />
of entrails and holistic healers, tracing the resonance between locations that
range from<br />
demonic possession and parasitic vowels to acupuncture and diaspora Greek.
Opening new<br />
directions in poetry and poetics as well as literature and medicine,
Stecopoulos argues for<br />
the body’s poetic agency and a different understanding of the therapeutic
potency of art.<br />
(Visit<span class="apple-converted-space"><span style="font-family: "georgia" , serif;"> </span></span><a href="http://cts.vresp.com/c/?YourCompanyName/bdb11224ab/a135a4062e/07b3bb9a1e" target="_blank"><span style="font-family: "georgia" , serif;">ON's website</span></a><span class="apple-converted-space"><span style="font-family: "georgia" , serif;"> </span></span>to read more!)<br />
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<br />
<strong><span style="font-family: "georgia" , serif;">PRAISE FOR
VISCERAL POETICS</span></strong><br />
<br />
Eleni Stecopoulos is singularly aware of a healing power in poetry that
touches the most<br />
obscure depths of our carnal existence. She seeks to uncover “how the body in
its opaque<br />
poetry can be homeopathically treated by poetry—as aesthetic, not anaesthetic,
therapy.”<br />
Eleni Stecopoulos’ researches open an important field for investigation and
practice: the<br />
healing force of language, of poetry. <o:p></o:p></div>
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- Alphonso
Lingis, from the Foreword<o:p></o:p></div>
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<br />
Searching in real time, thinking/feeling as writing, this
tour de force of authentic scholarship<br />
reaches far back to the matrix of writing/embodiment at the crux of human
consciousness, far<br />
forward into a modernism (Artaud, Metcalf) that explores the edges of such
embodied writing,<br />
and in all directions as Stecopoulos’ every insight emerges from and remains
immersed in a<br />
surround of the immediately personal. This is a lyrical study of great depth,
an epic poem of<br />
experiential erudition. <o:p></o:p></div>
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<br />
- Maria
Damon<o:p></o:p></div>
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<br />
<br />
Eleni Stecopoulos’ brilliantly provocative, syncretic
manifesto identifies idiopathic disease<br />
with ideolectical poetics, pathology with anomaly – the flesh of the text and
the text of the<br />
flesh – bringing home the liberatory potential for visceral readings of the
unintelligible. For<br />
Stecopoulos, diagnosis is a practice of aesthetic translation and poetry a
quest for knowledge<br />
outside the disabling strictures of Western rationalism. Written in lyric
bursts of telegraphic<br />
intensity, Stecopoulos follows her guides, Artaud and Metcalf, through veils of
suffering in<br />
order to repossess, from the jaws of evisceration, her own life – and
ours. <o:p></o:p></div>
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<br />
- Charles
Bernstein<o:p></o:p></div>
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<br />
<br />
In a thick rich book of Artaudian trickster moves, Eleni
Stecopoulos performs healing rituals<br />
upon medical practices and cultural prescriptions, writing toward her own
healing process,<br />
with opacity as sustaining wayfarer and shield against early collapse. Disease
emerges as<br />
narrative symptom for disconnect, and language becomes subtle homeopathy,
weaves a new<br />
myth, for suffering writers and suffering war-torn worlds, in a visceral
poetics based on Artaud’s<br />
asylum writings: “a rhythm of exorcism against the drying out of opium by
conspiracies and<br />
consecrations” (Artaud, SELECTED WRITINGS). <o:p></o:p></div>
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<br />
- Petra
Kuppers<o:p></o:p></div>
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<br />
<br />
Experience what “radiates from a text,” “the gravity at the
core of theater” in this long awaited<br />
critical work from Eleni Stecopoulos, the genesis of her Poetics of Healing—a
curated series of<br />
stages in which these ideas are enacted and the isolated patient finds place in
a complicated<br />
communal as both are changed. Placing the psychic reading of the body that
refuses with will<br />
next to the reading of poetries claimed unreadable, she makes a document of
vital forms for a<br />
new kind of scholarship, for a new and ancient kind of person or poet one and
the same in the<br />
hopes that they won’t be re-swallowed by the dominant but will find their own
breath. A breath<br />
that will resist and resist singularity and in the failures or blocks, the
resetting, find the<br />
choral-tragic—through a different kind of reading/witnessing. The violences of
a larger social<br />
body made visible though a syncope pressing right up against poetry. In this
epic lyric, everything<br />
and nothing at once. In “a form that holds, rather than explains”—the mystery
of how this beautiful<br />
important project came to be. <o:p></o:p></div>
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<br />
- Melissa
Buzzeo <o:p></o:p></div>
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<br />
<br />
The central question of VISCERAL POETICS is how to be. How to
be a body. How to be a body in<br />
pain, a body not in pain. How to be a thinker, a scholar, a writer about
literary works. How to be<br />
a poem too. It is unusual for a piece of literary criticism to take on such
weighty questions. And<br />
Eleni Stecopoulos gives us no easy answers as she consults various forms of
literatures and healing,<br />
questioning all of them and her relationship to them too. And as she does this
she writes a book<br />
that is beautiful and moving, a life’s work dedicated to the work of living.
<br />
<br />
- Juliana
Spahr<br />
<br />
<br />
<strong><span style="font-family: "georgia" , serif;"><br />ORDERING</span></strong><br />
<strong><span style="font-family: "georgia" , serif;"><br />Pay online via
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<a href="http://cts.vresp.com/c/?YourCompanyName/bdb11224ab/a135a4062e/873307eb30" target="_blank">https://on-contemporarypractice.squarespace.com/order/</a><br />
<br />
<strong><span style="font-family: "calibri" , sans-serif;">Or Small Press
Distribution</span></strong><br />
<a href="http://cts.vresp.com/c/?YourCompanyName/bdb11224ab/a135a4062e/4fb3775ca6" target="_blank">http://www.spdbooks.org/Producte/9780983504559/visceral-poetics.aspx</a><o:p></o:p></div>
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The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com1tag:blogger.com,1999:blog-6403396163965026316.post-63224842188693446752015-05-26T23:02:00.001-07:002015-05-26T23:03:24.792-07:00BAPS needs your help...<div style="color: black; font-family: HelveticaNeue,'Helvetica Neue',Helvetica,Arial,'Lucida Grande',sans-serif; font-size: 16px;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOyDZeQKx67W9vJQIma8ZaO9OKf2dKv1O4Ua6OYIWXGSA3ViMfw1qNB8gLcPFe6JpT37IvHMxYJ13zIXJYz98zKvWx89uoL5bA8mdnefl3kKlocCpIcaqy09mbC0yJOFibdORUfcC7D6E/s1600/Bay_Area_Public_School_Logo_Final.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOyDZeQKx67W9vJQIma8ZaO9OKf2dKv1O4Ua6OYIWXGSA3ViMfw1qNB8gLcPFe6JpT37IvHMxYJ13zIXJYz98zKvWx89uoL5bA8mdnefl3kKlocCpIcaqy09mbC0yJOFibdORUfcC7D6E/s320/Bay_Area_Public_School_Logo_Final.png" width="320" /></a></div>
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<span style="color: white;"><br /></span>
<span style="color: white;">The
Bay Area Public is contacting our network of friends to let you know
about our present financial situation, and ask for your support to keep
this wonderful project going.</span></div>
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<span style="color: white;"><br clear="none" /></span></div>
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<span style="color: white;">The
Bay Area Public School has offered hundreds of free classes and events
since we began in 2012, and we have provided a much-needed space for
community gathering and organizing, first at 2141 Broadway and now at
the Omni Commons (<a href="http://omnicommons.org/" rel="nofollow" shape="rect" style="background: transparent none repeat scroll 0% 0%; margin: 0px; outline: medium none; padding: 0px;" target="_blank">omnicommons.org</a>),
which we helped to found. We're also proud to host some of the most
important public intellectuals of our time -- people like Fred Moten,
Silvia Federici and Frank Wilderson -- in public forums that are totally
free of charge.</span></div>
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<span style="color: white;"><br clear="none" /></span></div>
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<span style="color: white;">We've
achieved all this through a pioneering community-supported financial
structure, according to which 50 people paying $20 a month would make
our monthly rent & expenses totalling $1000. We never quite had
fifty supporters, but we've kept the doors open for three years running,
which is pretty incredible.</span></div>
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<span style="color: white;"><br clear="none" /></span></div>
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<span style="color: white;">But
with the transition to the Omni have come new challenges, most
particularly financial challenges! We were previously responsible for
$1000 a month, but with the unexpected expenses attached to the Omni we
have now committed to $1500 a month.</span></div>
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<span style="color: white;"><br clear="none" /></span></div>
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<span style="color: white;">We
can still pay this expense with community support & help sustain
both the Public School and the Omni, but we need your help! Right now
there are 37 people who have committed to sustain the School with a
repeating monthly donation of $20. If 75 people would make this
commitment, we'd never have to send another email like this.</span></div>
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<span style="color: white;"><br clear="none" /></span></div>
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<div>
<span style="color: white;">Will
you please consider a monthly $20 sustaining commitment to the Public
School? It's super-simple -- all you have to do is go to <a href="http://bayareapublicschool.org/" rel="nofollow" shape="rect" style="background: transparent none repeat scroll 0% 0%; margin: 0px; outline: medium none; padding: 0px;" target="_blank">bayareapublicschool.org</a>,
click the button on the right that says "Donate to Bay Area Public
School," fill in $20 (or whatever recurring donation you'd like to
make), and check the box that says "I want to make this a recurring
donation". Then fill in the payment information & that's it!</span></div>
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<span style="color: white;"><br clear="none" /></span></div>
<div>
<span style="color: white;">We
are so proud of what this project has accomplished to date and we know
it has a bright future ahead of it, but it can only have that future if
we come together as a community to make it happen.</span></div>
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<span style="color: white;">Thank
you so much for reading this letter -- please let us know if you have
any questions, and thank you so much for your continued support of the
Bay Area Public School!</span></div>
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<span style="color: white;">Love & solidarity -- Publia Pigeon</span></div>
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The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com0tag:blogger.com,1999:blog-6403396163965026316.post-63126574608765613052015-04-06T00:00:00.000-07:002015-04-06T00:00:09.177-07:00Miriam Atkin on Robert Kocik's Supple Science<div class="separator" style="clear: both; text-align: center;">
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<br />At the Poetry Project Newsletter. The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com0tag:blogger.com,1999:blog-6403396163965026316.post-693716992310416142015-04-02T15:42:00.001-07:002015-04-02T15:42:20.618-07:00Laura Moriarty on David Brazil's The Ordinary<div class="separator" style="clear: both; text-align: center;">
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<br /><a href="http://www.poetryfoundation.org/harriet/2015/04/being-happy-with-the-ordinary-part-1/">Right here!</a>The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com0tag:blogger.com,1999:blog-6403396163965026316.post-16000285042622541572015-03-15T16:41:00.001-07:002015-03-15T16:48:17.961-07:00Further Other Book Works Broadsides!<div class="separator" style="clear: both; text-align: center;">
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Our friends at Further Other Book Works has just produced these INCREDIBLE broadsides as a fundraiser for their forthcoming Helen Adams artist book. These feature unpublished poems by Jack Spicer, designed by Norma Cole, Kevin Killian, Paul Klinger, and Kyle Schlesinger. These are a must, obviously. Buy <a href="http://furtherotherbookworks.tumblr.com/post/113719105158/jack-spicer-broadsides-four-unpublished-poems">here</a> please. The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com0tag:blogger.com,1999:blog-6403396163965026316.post-45924688144152046052015-03-11T00:00:00.000-07:002015-03-11T00:00:12.269-07:00House-Scrub, or After Porn<div class="separator" style="clear: both; text-align: center;">
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<br /><br />This is the cover of Rob Halpern's new pamphlet "House-Scrub, or After Porn," which represents a tiny section from his forthcoming <i>Common Place </i>(Ugly Duckling, soon?), beautifully produced as a solo, large-format number by Margaret Tedesco (who is responsible for the beautiful design work for many (maybe most) of the newest Nightboat books). These probably won't be around for long, so pick one directly from Margaret by clicking <a href="http://projects2ndfloor.blogspot.com/">here</a>. <br /><br />And while we're on the subject, Sianne Ngai just published a killer essay on Rob's work called "Visceral Abstractions" for <i>GLQ: A Journal of Lesbian and Gay Studies</i>. Check out the abstract <a href="http://glq.dukejournals.org/content/21/1/33.abstract">here</a>, and if you're <i>really </i>interested, I may be able to direct you to the full article if you send an email...The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com3tag:blogger.com,1999:blog-6403396163965026316.post-58610811183493289242015-03-09T00:00:00.000-07:002015-03-09T11:09:07.801-07:00Selcer and Durback for Double Burst<div class="separator" style="clear: both; text-align: center;">
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New work from local powerhouses Lara Durback and Anne Lesley Selcer thanks to Stephen Novotny. I'm not sure if this series is still called <i>Double Burst</i>, but it is out in the world (and soon available as PDF <a href="http://supersuperette.tumblr.com/">here</a>). First two pages are ALS; the final two are LD.<br />
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<br />The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com0tag:blogger.com,1999:blog-6403396163965026316.post-20984126553238966822015-03-04T00:30:00.000-08:002015-03-05T13:02:20.643-08:00The Louder the Room the Darker the Screen<iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="https://player.vimeo.com/video/121197577" webkitallowfullscreen="" width="500"></iframe> <br />
<a href="https://vimeo.com/121197577">Paul Ebenkamp's 'The Louder the Room the Darker the Screen' Media Statement</a> from <a href="https://vimeo.com/user9045346">Timeless, Infinite Light</a> on <a href="https://vimeo.com/">Vimeo</a>.<br />
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This book is going to be so, so dope. Another big win for Timeless, Infinite Light. I took a peek at the proofs last week, and this might already be my vote for book of the year. It promises to slay. And also, just FYI, there is a very good chance that Paul and I (and maybe Ted Rees and maybe Stephen Novotny) are now in a band called Scythe Mouth. So, trademark or whatever. There will probably not be music, but there will certainly be t-shirts.<br /><br />Also, I should mention that there are pre-order goodies if you buy the book now: check it out <a href="http://timelessinfinitelight.com/collections/all/products/paul-ebenkamp-br-the-louder-the-room-the-darker-the-screen">here</a>. The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com1tag:blogger.com,1999:blog-6403396163965026316.post-15543693652837802812015-03-03T01:25:00.003-08:002015-03-03T01:25:55.868-08:00Laura Kilbride's In the Square<div class="separator" style="clear: both; text-align: center;">
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<br />Whoa! This is the best thing I've read in forever. 1K lines of super dense, concise and beautifully labored writing. Totally essential and perfectly produced by Rich Owens' always on point Punch Press. I don't know much about Kilbride besides that she's my new favorite poet, and she lives in the U.K. I think Marianne Morris also printed something of her's with Morris's Bad Press (but I've never seen it). In short, get it (and everything else from Punch Press) <a href="http://damnthecaesars.org/punchpress.html">here</a>. The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com0tag:blogger.com,1999:blog-6403396163965026316.post-23314943311590476882015-02-05T23:58:00.000-08:002015-02-05T23:58:06.866-08:00Meet Hopper!<div class="separator" style="clear: both; text-align: center;">
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<br />
Ezra and I found this very sweet puppy abandoned at Dimond Park last week. His name is Hopper, and Family Dog Rescue is helping us find him a home. Perhaps you would like to make Hopper your new pal?! Spread the word, and learn more about this sweet little guy <a href="http://norcalfamilydogrescue.rescuegroups.org/animals/detail?AnimalID=8191599#prettyPhoto%5Bpp_gal%5D/2/">here</a>. The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com1tag:blogger.com,1999:blog-6403396163965026316.post-55164085332254736532015-02-04T01:05:00.001-08:002015-02-04T01:07:22.143-08:00Silverlining: Cross, Mody, Proctor-Xu<div class="separator" style="clear: both; text-align: center;">
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<br />
I'm reading this Thursday, 3/5 with Monica Mody and
Jami Proctor-Xu for Silverlining (at Melissa Mack's place). Doors at 7pm; Reading at 8pm. It should be a very relaxed and
fun evening. Please send an email to michaelthomascross (@) hotmail for directions. <br />
<br />
<br />The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com0tag:blogger.com,1999:blog-6403396163965026316.post-90346106484844131012015-02-01T13:37:00.000-08:002015-02-01T13:37:24.278-08:00ON Contemporary Practice: Two New Essays on David Brazil<div class="separator" style="clear: both; text-align: center;">
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<br />
Head over to <a href="http://www.on-contemporarypractice.squarespace.com/">ON Contemporary Practice</a> to read two new essays on the work of David Brazil. The first is the complete "Ordinary Weather," which collects a totally moving, serialized essay by C.J. Martin. The second, by local wunderkind Stephen Novotny, takes on the invention of "litter" and its transformation as a potentialized tool in Brazil's work. Both essays are totally worth your time!<br />
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And I suppose this is as good a time as any to announce that Thom Donovan and myself are hard at work on the next ON monograph, to be released in fall of this year. Very exciting details to follow... The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com0tag:blogger.com,1999:blog-6403396163965026316.post-68440143262759289672015-01-07T14:17:00.002-08:002015-01-07T14:17:25.808-08:00Paranoid Histories Reader<div style="-x-system-font: none; display: block; font-family: Helvetica,Arial,Sans-serif; font-size-adjust: none; font-size: 14px; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; margin: 12px auto 6px auto;">
<a href="https://www.scribd.com/doc/251981693/Paranoid-Histories-Reader" style="text-decoration: underline;" title="View Paranoid Histories Reader on Scribd">Paranoid Histories Reader</a></div>
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<br /><br /><br />The following reader features excerpts from short essays by Michelle Detorie, Julia Drescher, CJ Martin, and Kurt Newman. Folks planning to attend "Paranoid Histories" at the OMNI this Saturday, 1/10 might like to preview some of this material before the conversation. I'm looking forward to discussing these essays together then! The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com0tag:blogger.com,1999:blog-6403396163965026316.post-9274312244632887012015-01-07T12:28:00.001-08:002015-01-07T12:37:59.453-08:00Heidegger for Mystics begins tomorrow!<div class="separator" style="clear: both; text-align: center;">
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<br />
Greetings all:<br />
<br />
I'm looking forward to our first meeting of Heidegger for Mystics tomorrow evening (7pm) at the OMNI (4799 Shattuck). We'll spend the session getting to know each other a bit while more generally developing a reading list and plan of action together. Let's meet in the little sitting area at La Commune (enter at the corner of 48th and Shattuck), and we can find an appropriate place in the OMNI to set up shop. I'll bring a variety of resources and secondary material to inform the conversation. Hope to see you all then! <br />
<br />
Michael The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com0tag:blogger.com,1999:blog-6403396163965026316.post-81332873552638024882015-01-04T11:03:00.001-08:002015-01-04T11:03:37.475-08:00Paranoid Histories at the OMNI<div class="separator" style="clear: both; text-align: center;">
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<br />In his essay “For a Paranoid History, or, Bakersfield: Capital
of the Twentieth Century,” historian and artist Kurt Newman writes, “My
proposal is this: we should all become a little more ‘paranoid.’ In the
process, we should think carefully about whether historiography can
really do without the concept of ‘paranoia.'”<br /><br />
Join Newman, along with visiting poets Julia Drescher, Michelle
Detorie, and CJ Martin, for a conversation about writing “paranoid
histories,” including the composition of new critco-poetic essays about
Jack Spicer, Robert Creeley, and feral poetics.<br /><br />This event will take place at the OMNI (4799 Shattuck) on Saturday, 1/10 from 7-9 pm. See you there!<br />
<br />The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com0tag:blogger.com,1999:blog-6403396163965026316.post-23923656910072309622014-12-17T16:44:00.002-08:002014-12-17T16:44:39.914-08:00Important News about This Weekend's Events<div class="separator" style="clear: both; text-align: center;">
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<br /><br />Greetings all:<br />
I'm very sorry to report that Thom Donovan has
cancelled his visit to the Bay Area due to a family emergency. Friends
and colleagues will be plea<span class="text_exposed_show">sed to hear
that he is totally fine; however, he's got his hands full so please hold
off on emails. He'll be in touch with all of you soon.</span><br />
<div class="text_exposed_show">
<br />In the meantime, while we've had to cancel Thom's two public lectures
at the OMNI (see above), Friday's reading is totally still on. Further, I am pleased to
announce that friend and poet Hugo Garcia Manriquez has joined the bill
in Thom's stead.<br />
<br />See you there!</div>
The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com1tag:blogger.com,1999:blog-6403396163965026316.post-52602864072782322082014-12-16T15:13:00.001-08:002014-12-16T15:13:24.460-08:00Hope Eternity Seen on the Hip of a Rabbit<div class="separator" style="clear: both; text-align: center;">
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<br /><br /><br />More Beth Murray, for those who missed this chapbook the first time around. We lost a powerful poet and a super compassionate human being. The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com1tag:blogger.com,1999:blog-6403396163965026316.post-79810417392995220172014-12-12T00:29:00.003-08:002014-12-12T00:30:41.039-08:00I made this tonight...<div class="separator" style="clear: both; text-align: center;">
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to embroider on future motorcycle jackets. That's what I want for Christmas.The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com0tag:blogger.com,1999:blog-6403396163965026316.post-29183650298922414902014-12-11T23:57:00.000-08:002014-12-12T00:00:26.502-08:00OMNI Holiday Party & Bazaar<div dir="ltr" id="ecxyiv3288460891yui_3_16_0_1_1418156110001_14143">
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<br /><br />I'm the kind of person who really loves a holiday bazaar, and this particular bazaar promises to be pretty great because it supports La Commune, the OMNI, and Solar Luxuriance. Here's the copy:<br />
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LA COMMUNE PRESENTS <br />
A VERY OMNI HOLIDAY PARTY & (BIZARRE) BAZAAR + SOLAR LUXURIANCE BOOK RELEASE PARTY !</div>
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Please
join La Commune Cafe & Bookstore this Saturday, December 13, from
12noon to 6pm, for an Omni holiday party & craft bazaar! We'll have
fresh-baked goods & hot cider & oh so many books, plus craft
vendors to help you with those last minute gift giving needs!</div>
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We'll
top off the day with a book release party for SOLAR LUXURIANCE PRESS at
7pm, with readings by Erika Staiti, Nicole Trigg, Tatiana
Luboviski-Acosta, Jared Joseph, Leif Haven & M. Kitchell.</div>
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Please stop by this Saturday to say hello -- & support La Commune's Indiegogo fundraiser here: <a href="https://www.indiegogo.com/projects/la-commune-cafe-and-bookstore--2" id="ecxyiv3288460891yui_3_16_0_1_1418156110001_15762" rel="nofollow" shape="rect" target="_blank">La Commune Cafe and Bookstore</a></div>
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See you Saturday !</div>
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The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com1tag:blogger.com,1999:blog-6403396163965026316.post-32701839083078867922014-12-10T00:00:00.000-08:002014-12-10T00:00:13.644-08:00Micah Ballard's "Vesper Chimes"<div class="separator" style="clear: both; text-align: center;">
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<br /><br />New Micah Ballard in the mail. You'll probably have to get this one from him directly, as I can't find any order information, but that gives you a reason to say hi! <br />
<br />The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com0tag:blogger.com,1999:blog-6403396163965026316.post-73357462039416756292014-12-09T02:21:00.003-08:002014-12-09T02:21:34.882-08:00Beth Murray, "Electricity, the Brush of Arctic"<div class="separator" style="clear: both; text-align: center;">
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I've been dwelling on this chapbook by Beth Murray, published by A+ Bend back in 2000, as an antidote to the pain produced by institutionalized violence. Murray's poetry is a response through stillness. I'll post more sections from this chapbook in the coming weeks...The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com0tag:blogger.com,1999:blog-6403396163965026316.post-16589590115038687722014-12-08T12:49:00.006-08:002014-12-08T12:49:58.558-08:00Anne Lesley Selcer's Poems on Beauty<div class="separator" style="clear: both; text-align: center;">
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<br /><br />Anne Lesley Selcer's <i>from A Book of Poems on Beauty</i> is one of the best chapbooks of the year, no question. If you haven't read it yet, take a gander at the samples above. It's really quite wonderful. You can get a physical copy from <a href="https://gazinggrainpress.wordpress.com/store/">Gazing Grain Press</a>, or you can check out the entire thing electronically <a href="https://archive.org/details/GGPDigitialReviewCopyFromABookOfPoemsOnBeauty">here</a>. Essential reading...The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com0tag:blogger.com,1999:blog-6403396163965026316.post-29256329142121160332014-12-03T00:30:00.000-08:002014-12-03T00:30:01.223-08:00Thom Donovan in the Bay Area!<div class="separator" style="clear: both; text-align: center;">
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In addition to his reading with Oki Sogumi and Divya Victor on Friday, 12/19 at the OMNI (4799 Shattuck Ave., Oakland), Thom will also give two talks on Saturday, 12/20. The first, a workshop on "Occult Poetics," will take place at the OMNI from 2-4 pm, followed by a conversation on Joss Whedon's oeuvre in the evening. We will screen the film <i>Cabin in the Woods</i> prior to a discussion about Whedon's biopolitics in relation to the state of exception
and extra-legal entities. Come to everything if you can!The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com0tag:blogger.com,1999:blog-6403396163965026316.post-25042507905423907062014-12-02T00:54:00.002-08:002014-12-02T00:54:44.696-08:00Donovan / Sogumi / Victor<div class="separator" style="clear: both; text-align: center;">
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<br />The Disinhibitorhttp://www.blogger.com/profile/10208344358304255984noreply@blogger.com0